Category Romance

What if a simple text message led you to the love of your life? Mira Ray tries to come to terms with the death of her fiancé, and sends a series of romantic messages to his phone number…not realizing the number had been reassigned to Rob Burns’ new work phone. Journalist, Rob is captivated by the sincerity of these sublime epistolary confessions...

With melancholy, Sophie recalls the summer holidays spent with her father twenty years earlier: the moments of shared joy, their complicity, sometimes their disagreements. She also thinks back to what hovered above these precious moments: the deaf and invisible threatens with ending happiness...

There was a time when this kind of American romantic comedy, starring big names in cinema, was commonplace on the big screen. But, perhaps following too large an interchangeable offer in this area a good ten years ago, this is no longer really the case, to the point that this “Ticket to Paradise” even looks like of dinosaur in its category by tumbling today in astonishing anonymity in the cinema (imagine the impact that a feature film bringing together Clooney and Roberts again in the 2000s after “Ocean’s Twelve” would have had)...

WEST SIDE STORY tells the legendary story of a budding love against the backdrop of brawls between rival gangs in 1957 New York...

1840. Mary Anning was a renowned paleontologist but now lives modestly with her mother on the rugged south coast of England. Mary gleans ammonites from the beach and sells them to wealthy tourists. One of them, going on a business trip, asks him to board his convalescent wife, Charlotte. It is the start of a passionate love story that will challenge all social barriers and change their lives forever...

As Tessa and Hardin try to pick up the pieces of their relationship, new obstacles stand in the way of their love affair and new secrets are revealed...

Everyone agreed that Cassie was a young woman with a future … until something unexpected happened to change everything. But nothing in Cassie’s life actually matches up with appearances: she’s as smart as she is cunning, glamorous as calculator, and leads a double life after dark...

Abby is looking forward to spending a quiet Thanksgiving evening over a delicious turkey with her best friend, Molly...

Seven years after a disaster brought humanity down from the top of the food chain and reduced to a snack for a revengeful mutant fauna, Joel is one of the lucky lucky ones who can still survive in an underground base. Finally happy … Joel is not so sentimentally speaking in front of the display in love with his companions, all as a couple, while he dreams of finding his beloved (named Aimee) locked in another bunker miles away. the. One day, on a whim, Joel decides to go join her against the advice of his comrades who strongly doubt his ability to survive alone … A young hero withdrawn into himself, clumsy and who writes rules ( in the form of drawings here) to escape the dangers of a post-apocalyptic world … No, no, it is not the character of Jesse Eisenberg in “Zombieland” but the one played today by Dylan O ‘Brien in “Love and Monsters”, it must be said that the confusion is easy as the film by Michael Matthews borrows many ingredients from the recipe for the zombie-comic saga of Ruben Fleischer. Beyond his hero, we find in fact the same tone of quirky post-apo survival, focusing as much on the absurdity of certain perilous situations as on the sluggish side of Joel in the face of survivor models always ready to room him. , the building of a surrogate family around Joel along the way and even a few supporting roles that make it up also furiously recall the spirit of “Zombieland” (Michael Rooker is really reminiscent of a light version of Woody Harrelson not to mention his little sidekick). In short, “Love and Monsters” follows in the footsteps of its famous model and, basically, we must admit that it fulfills this task effectively thanks to certain strengths. The formula of the film is not original enough to ensure its only identity, no big deal, “Love and Monsters” can at least create an illusion thanks to the richness of its very successful bestiary and extending to the entire animal order where “Zombieland” is rightly limited by his. The humor clearly does not have the same punch as in Ruben Fleischer’s film (despite some pretty smiles, it must be admitted), no big deal either, “Love and Monsters” will use it especially for the purpose of ” accentuate our emotional attachment to the relationships between his characters (the one between Joel and Boy is just irresistible) and the initiatory journey of his hero by increasing the number of more or less happy encounters to finally get his head out of his introvert hole for too long withdrawn into his memories. So, of course, all this does not completely hide the fact that “Love & Monsters” is a feature film which borrows much more than it creates, but, as it stands, it does so with sufficient discernment to offer a lot. result of pieces of bravery combining spectacle and emotion around monsters sometimes more human than their opponents. Thus, the term “boredom” quickly disappears from our vocabulary for the duration of this pleasant entertainment and, even beyond that, we find ourselves wanting to find this universe and its characters later in a potential sequel...

Massimo is a member of the Sicilian Mafia and Laura is the Sales Manager...